Pevsner (n): an
authoritative but quirky architectural handbook, any one in the series of
county-by-county guides, properly entitled The
Buildings of England; eponymously so called after founding editor, Nikolaus Pevsner.
It’s not the least of Sir Nikolaus
Pevsner’s achievements that he is possibly the only man in English publishing
history to have given his name not just to one reference book (no mere Bradshaw,
Brewer, Burke or Crockford he) but to a whole family of reference books; most
were written by himself, and all bear his imprint if not actually his
imprimatur. Pevsner completed the first series of The
Buildings of England in 1974, and died in 1988; but new editions and
editions of new sub-series, such as Buildings
of Scotland, (and Wales and Ireland) continue to appear.
The first county book appeared in 1951; Pevsner
aimed to publish two a year. In the succeeding sixty years many have been
revised, sometimes two or three times, and now a third generation of
architectural historians is at work, led by Simon
Bradley, the present series editor, who has just published a revised,
enlarged Cambridgeshire
to acclaim. I was given it at Christmas and have been reading and admiring it ever since. It has to be admitted, though: Pevsners are no longer as portable as they
used to be. I bought my first, Bedfordshire,
in 1974, and could carry it around in the pocket of my mac. In those days I
cycled everywhere, having no car, and rather resembled the chap in Philip
Larkin’s ‘Church Going’,
taking off my cycle clips in awkward reverence – a manoeuvre that could almost
count as a genuflection, if the church looked the sort of place where such
a thing was expected. Sir
Ninian Comper used to say that a church should bring you to your knees on
entering; nowadays, just carrying around a Pevsner might do the same for you.
Let me illustrate my point.
The original volume, Cornwall (BE1), was a paperback – as they all were at first.
Penguin used to publish them, and Pevsner always acknowledged his debt to Sir
Allen Lane for supporting the project from its earliest days. (Nowadays, the
series is published by Yale). Cornwall
measured 7 by 4½ inches, had 251 pages and weighed 7½ oz.; my Bedfordshire (1968, hardback by then) had grown a half-inch taller,
boasted 414 pages and weighed 13oz.; Simon Bradley’s new Cambridgeshire (2014) by contrast, is nearly 9 x 5ins, has 790
pages and weighs 2lbs.
An expanding series, therefore, but the
remarkable thing is that the format has stayed unchanged since 1951. Maps of
the county, with every town and village marked and grid-referenced; an
introduction providing pre-historical, topographical and architectural overviews
of the county; next the gazetteer, with every church mentioned, no matter how
briefly, and other buildings of significance identified. For larger towns Pevsner provides architectural walking routes he calls ‘Perambulations’. In the middle of
each book a swatch of photographs – grey and grainy at first, high definition
colour now – illustrating the architectural and decorative highlights
described in the text . Pevsner made a point of seeing everything he
described, so his descriptions alternate between rapid-fire architectural
shorthand and pithy tut-tuts of praise or disappointment. Thus, from Cornwall, and on the same page, for
Portreath he says simply,
The Church of ST MARY, by
Wightwick, 1841, is rather depressing, with pointed windows and a bellcote.
For Poughill he seems to have transcribed
his notes almost as he must have scribbled them down (his record was nineteen
churches visited in a single day):
ST OLAF. A Danish dedication.
Nave of four bays; N aisle with arcades of Cornish granite standard section, but shorter
than usual (late C14?); S aisle with thicker projection l. and r. of each of the standard
hollows (cf. St Veep); quatrefoil decoration of the abaci.
For Pevsner it was important to instruct
readers how to ‘read’ a building, so he wasn’t afraid to use technical terms. But
he always included at the end, along with an index of artists and architects
and an index of places, a glossary. This glossary, expanded like the series, is
now available as an app.
Pevsner didn’t drive. Cornwall is dedicated to ‘TO LOLA, who drove the car’. Lola was his wife.
Later on, eager young researchers used to chauffeur him; some in time co-edited
counties with him or indeed became editors of the later revisions. He inspired
great affection and loyalty. Simon Bradley doesn’t drive either. While working
on Cambridgeshire he was given rooms
at St John’s College, and in his Foreword duly acknowledges that ‘Not the least
of the amenities provided by St John’s for this non-driving author was a pass
for the college bicycle sheds.’ He thanks his family and friends for ferrying
him out to ‘Areas of Cambridgeshire beyond the practicable reach of pedals or
public transport’ (much of rural Cambs. is far beyond the bounds of any bus
route) and ends by thanking ‘Bridge Cycles of Magdalene Street for repairs and
advice’.
I’m glad to applaud a new book that follows
a great tradition, a tradition one can say confidently was begun by a single
man. Pevsner was beguilingly eccentric in some ways, dauntingly precise and
systematic in others. He came to love England: nobody knew it better,
architecturally speaking, than Pevsner did. He described himself, in writing
the Buildings of England, as an
outsider, but saw this as an advantage. In the Foreword to Herefordshire (BE25, 1963; the midpoint of the series) he defended
his decision to write most of the series himself because
the outsider keeping in mind the whole of
England and perhaps even something of the continent seems to me to have
overriding advantages …. It is not that I want to hog the whole enterprise [a
few lines later it’s a ‘crazy enterprise’]. On the contrary, I want to live to
see it completed, and I am only anxious to preserve a certain unity of approach
and treatment.
He did; and his successors have gone on
preserving it in a manner he would have applauded. So, even if the books no
longer fit in our pockets, we still have many reasons to be grateful to Pevsner
- the man and the eponym.
Adrian Barlow
[illustration:
Pevsners including the first, Cornwall,
(1951) and Cambridge, (3rd,
ed. 2014).
I have blogged elsewhere about Pevsner, on
the Kempe Trust website:
