For this important supper a long table had been laid for twenty-five people down the centre of the hall. But the meal was only the prelude to the evening’s main event: while pudding dishes were cleared away, the bellringers re-arranged themselves to give a recital of Christmas carols. They stood at the far end of the hall, behind another table on which handbells were placed ready to be picked up and rung as required. My brother and I were allowed to tiptoe downstairs in our dressing gowns and sit on the bottom step to listen. I only heard this once – in other years, I was away at boarding school – but that candle-lit performance is still unforgotten.
This hall was not part of the original Georgian parsonage, which was much more on the scale of Fenchurch St. Peter’s fictional rectory. When Tydd was dramatically enlarged in 1855 (architect: JH Hakewill) what had been the modest entrance hall, dining room and sitting room were all knocked into one long draughty space. But the staircase was still in its original position and beside it ran the short passage leading to my father’s study.
Endowed by two former rectors of Tydd, the Wills and Bouverie Charity paid for the clothing and education of four poor boys and four poor girls of the parish. The original rectory must have been built in the days of Dr. John Wills, though how much time, if any, he spent here I cannot say. Not only rector of Tydd, he additionally held the living of a village in Somerset while also being Warden of Wadham College, Oxford, from 1783 until his death in 1806. Between 1792-1796 he was even Vice-Chancellor of the University. John Bouverie, likewise, held the living of Tydd in plurality with one in Sussex; but he was also a Prebend of Lincoln Cathedral, so will have needed to keep at least a toe-hold in the diocese. He was a cousin of the great Tractarian, Edward Bouverie Pusey, and I can’t resist picturing Pusey ‘longing for holiness’ in this very study.
Every afternoon my father visited his parishioners – he thought this among his most important duties as Rector. After tea he’d retreat to the study to prepare his two weekly sermons, Mattins and Evensong, all duly dated, numbered and catalogued. (Eventually, my mother stuffed a pouffe with them: she had not the heart to throw away his life’s work.)
I am still puzzled why my father ever decided to come to Tydd. For me, the move from Birmingham to the Fens was the moment I felt myself coming alive, but my father was a Londoner who’d never lived in a village, knew nothing about farming or country life; he must have wondered, for the first few months at least, whether he hadn’t made a terrible mistake. But one night, before his first year was out, he went after supper back to his study to tidy his desk, turned on the light and was astonished to see an old man sitting in the bay window.
If you had known him, you would not have called Norman Barlow an impressionable man; all the same, this singular encounter seemed somehow to reassure him that, after all, Tydd and this house were where he and we were meant to be, and that our time here would be well spent. And so it was.
© Adrian Barlow
1. Hermione Lee, ‘A House of Air’, in Lives of Houses, eds. Kate Kennedy and Hermione Lee, University of Princeton Press, 2020, p.31.
2. Rose Macaulay, The Towers of Trebizond, Collins, 1956. This novel is celebrated for its opening sentence: '“Take my camel, dear,” said my aunt Dot, as she climbed down from this animal on her return from High Mass.’
(fig. 1) Tydd Rectory 1961. Photo credit: Adele I Miller
(fig.2) Dust jacket of The Towers of Trebizond (1st edition, 1956)
(fig.3) Tydd St Mary Parish Magazine, April 1960
(fig.4) The bay window (nearest to camera) of the study at Tydd